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<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>quodlibet - Latest Comments in transmission </title><link>http://quodlibet.disqus.com/</link><description></description><atom:link href="https://quodlibet.disqus.com/transmission/latest.rss" rel="self"></atom:link><language>en</language><lastBuildDate>Mon, 11 Aug 2008 04:49:04 -0000</lastBuildDate><item><title>Re: transmission </title><link>http://quodlibet.tumblr.com/post/45121094#comment-1156410</link><description>&lt;p&gt;hi store,&lt;/p&gt;&lt;p&gt;i think you miss the point. this is not about maths, but showing that&lt;br&gt;giving a few options to the audience still gives limited outcomes.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mpgough</dc:creator><pubDate>Mon, 11 Aug 2008 04:49:04 -0000</pubDate></item><item><title>Re: transmission </title><link>http://quodlibet.tumblr.com/post/45121094#comment-1155939</link><description>&lt;p&gt;Math is boring.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">store</dc:creator><pubDate>Mon, 11 Aug 2008 02:18:46 -0000</pubDate></item><item><title>Re: transmission </title><link>http://quodlibet.tumblr.com/post/45121094#comment-1132635</link><description>&lt;p&gt;unrelated, but not unobserved.&lt;/p&gt;&lt;p&gt;all performances are unique, the notion of 'interaction' does not&lt;br&gt;change this fundamental truth.&lt;/p&gt;&lt;p&gt;it is easy to make the audience feel they are having an effect on the&lt;br&gt;outcome, when it has already been predetermined.  (this is the point&lt;br&gt;of the math). you may feel your choices offer a 'new' performance, but&lt;br&gt;all the outcomes are already 'known'.&lt;/p&gt;&lt;p&gt;would you consider a 'choose your own adventure' book to be interactive?&lt;/p&gt;&lt;p&gt;your interaction is 'expected', and thus structural rather than&lt;br&gt;organic. the performers may respond to your stimuli, but in a&lt;br&gt;predetermined manner. you are not able to affect their compositional&lt;br&gt;filters.&lt;/p&gt;&lt;p&gt;participatory performance is not the same as audience interaction.&lt;br&gt;"still crossing" is participatory performance (as are flash mobs&lt;br&gt;etc.), "the copier" is audience interaction (of sorts).&lt;/p&gt;&lt;p&gt;this isn't as issue of quality/content, but how we describe practices.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mpgough</dc:creator><pubDate>Fri, 08 Aug 2008 07:50:07 -0000</pubDate></item><item><title>Re: transmission </title><link>http://quodlibet.tumblr.com/post/45121094#comment-1132427</link><description>&lt;p&gt;Matt, are responding to Cedar Lake's "The Copier"? To Evan's post? To my post? Or unrelated?&lt;/p&gt;&lt;p&gt;Interactions with audience do not have to be based on "smoke and mirrors" or mathematical equations. There are many possibilities, if supported by artist, to allow for organic, unexpected forms of audience involvement.&lt;/p&gt;&lt;p&gt;Maybe you could write more about post-structuralism and dance? Are there any video examples? I'd be very interested in such a post.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Doug Fox</dc:creator><pubDate>Fri, 08 Aug 2008 06:52:04 -0000</pubDate></item></channel></rss>